Fleetwood Mac Vinyl Christmas Ornament

When Fleetwood Mac locked themselves inside Sausalito’s Record Plant in 1976 to cut Rumours, they wove three distinct songwriting voices—Stevie Nicks, Lindsey Buckingham, and Christine McVie—over the unshakable rhythm section of Mick Fleetwood and John McVie. Nearly half a century later, the crackle of that 1977 twelve-inch LP dropping onto a turntable remains a touchstone of analog warmth. The Fleetwood Mac Vinyl Christmas Ornament brings that Sausalito studio magic, flowing bohemian chiffon, and classic 33⅓ RPM record artwork onto winter evergreens across six selectable contour-cut clear acrylic designs.

Across the six numbered variations, the artwork pays tribute to both Herbert Worthington’s famous Rumours sleeve photography and the individual stage instruments that defined the band’s 1975–1977 tours. Style 1 frames Stevie Nicks in a sheer tiered black dress, gold crescent-moon necklace, and suede platform boots alongside a bearded Mick Fleetwood in a billowy white shirt, black vest, and tall leather boots resting his hand on a frame drum inside a frosted pine wreath beneath the art-nouveau FLEETWOOD MAC script. Style 2 builds an entire holiday tree out of studio gear—layering three black vinyl LPs bearing the Rumours cover silhouette, two Santa-hatted honey-toned acoustic guitars, two mini keyboards, tambourines, and crossed wooden drumsticks atop a timber base inscribed DON’T STOP THINKING ABOUT TOMORROW.

From Rhiannon Tambourines to Rumours Bass Drum Portraits

Three solo character designs let collectors choose the specific vocalist or rhythm player whose tracks anchor their record shelf. Style 3 positions Stevie Nicks between two star-topped Christmas trees in a fringed black lace kimono shawl and Santa cap, holding up her burgundy-and-gold ribboned tambourine over a parchment scroll reading RHIANNON RINGS LIKE A BELL THROUGH THE NIGHT. Style 4 puts a smiling Mick Fleetwood behind a silver-sparkle drum kit in a fur-trimmed crimson velvet Santa coat, drumsticks in motion behind an illuminated bass drumhead emblazoned with the Rumours silhouette of Fleetwood and Nicks above YOU CAN GO YOUR OWN WAY.

Style 5 honors keyboardist and vocalist Christine McVie, framing her in a cream bishop-sleeve blouse, black velvet vest, and flared trousers wrapped in glowing multi-color bulbs as she plays a garland-trimmed stage keyboard above YOU MAKE LOVING FUN. For analog purists, Style 6 isolates the grooved black twelve-inch vinyl LP itself—complete with a cream center label reading FLEETWOOD MAC around the spindle hole—crowned with a plush Santa hat and brown reindeer antlers inside a ring of glowing red, green, blue, and amber bulbs.

Although the artwork celebrates classic vinyl records, the physical ornament is laser-cut from flat, lightweight clear acrylic sized within 8 cm (approx. 3.1 inches), allowing it to hang on slender pine tips without pulling branches downward or shattering like glass. Ambient tree lights catch the smooth transparent border and highlight the fine record grooves, warm acoustic wood tones, and vintage typography printed in fade-resistant ink. A pre-drilled top eyelet and included twisted gold cord make it ready to hang on a Christmas tree, above a home turntable setup, or from a car rearview mirror year-round, while a gentle wipe with a soft, dry cloth keeps the surface clear.